Showing posts with label Madrid. Show all posts
Showing posts with label Madrid. Show all posts

Thursday, November 11, 2010

Madrid to Marrakesh

































Tuesday, November 9th, our last day in Madrid, was the day to go to the Museum of the Americas to look more closely at the Alaskan objects. Sven was able to get up early and go back to the Prado, and after a breakfast of unhealthy baked goods, we headed off on the subway to its inauspicious location far outside of town. When we got there we saw that the gates were barred shut and after scrutinizing the sign on the door we realized that the museum is open every Tuesday-Sunday of the year- except Christmas and November 9th. November 9th?

Sadly, we walked on and eventually we were able to find a Starbucks where we could google what the heck was happening. Apparently, November 9th is the feast day for Saint Almudena, Madrid's patron saint. And we'd missed the parade. boo hoo. So we carted the kids off to the Natural History Museum; it sounded like disney land inside but didn't have anything for the kids to actually touch or do, so it was loud and crazy- and tortuous. The saving grace of the day was that we had a long, slow walk back on a green strip of park that runs through eastern Madrid in the middle of its busy city streets and, for me, a return trip to the Prado where I was riveted by the Spanish history painting. The only interesting thing that happened to us is that we got cussed out by some shady looking teenagers when we refused to give them money to start a school for the deaf in Madrid. It was a moment when I was happy the kids didn't speak Spanish. The evening was full of packing and a quick dinner out at a Thai place, which was the best food we'd eaten yet in Spain. But the restaurant very quickly became filled with cigarette smoke. Bleh. Again.

Early on November 10th, we got the kids up and out of the apartment by 6:30 (amazing, for us) and Fish got in 600 steps of exercise before his morning coffee, running bags down to the street. We checked two bags into long-term storage at the airport and got ourselves checked into our Easy Jet flight. It was our first time flying Easy Jet and it was disconcerting not having seats, but all ended up just fine, and it was only a two hour flight to Marrakesh. Flying in, we saw huge expanses of desert interrupted by small groves of trees and more dessert-red colored specks of settlements. We saw smoke from cooking fires and the blocky outlines of apartment buildings crammed together. Quite a bit different from Madrid.

We had been dreading the thought of getting a taxi, as we'd read online that tourists very rarely get a taxi into town for under 100 dirhams (about $12), even if the public advertised rate on a big sign outside the taxi queue is 50 dirhams. True to form, the scene was chaotic and disturbing. The 'coordinator' of some sort was yelling and running back and form organizing prices for the fresh off the plane tourists, and we even witnessed a lady in a wheelchair whose stuff had been removed from a taxi by her husband who was yelling at the driver about the unfair price. The drivers were un-phased.

When we got our quote of 200 dirhams which they immediately brought down to 150 when we looked shocked, we decided that we didn't want to be sucked into their insanity and went to catch a bus. When one driver saw us head to the bus stop he chased us down and agreed to 100. Argh. But all was well, and the trip in was fascinating- the sounds, smells and sights were as different as we could imagine, and when we pulled into the Medina (old town) through its massive 1000 year-old red gates we were transformed into another world of zooming motorbikes, spice salesman, veiled women and stray cats. We got dropped off as close to our Riad (old house converted into a bed and breakfast) as possible, but still a fair ways away. We paid a couple of young men 5 euros to walk us to our riad when they insisted and we were thankful we did when the walk ended up being 4 blocks of twists and turns and streets marked only by Islamic script.

-The Riad Azukar was fantastic except for one thing (which I will mention in a moment)! We were greeted with sweet mint tea by a friendly French manager. The riad from the outside is completely unremarkable. Just a sign in a busy alley-way filled with kids playing and moms yelling at them. But enter through the little door and we were greeted with a central courtyard filled with tables and a little pool that this time of year must be purely ornamental. The 2nd floor lining the open interior square is taken up by 5 or 6 rooms, while the roof terrace one flight up has a nice view over the medina. The rooms were clean and full of character. The only problem: our room had a nasty smell of bleach with a very subtle sewage after-odor from some sort of drain problem. But we decided to brave through one night, as we were to get picked up for our desert trek early in the morning anyway. And the manager brought us a bunch of candles and room spray. We were to find out the next day that the medina has such an old sewage system that anytime there is wet weather the whole town smells of sewage. I had been checking the weather before we came and didn't remember rain in the forecast at all and when I mentioned that the manager shrugged and said, "well, it happens when it is cloudy too."

-After we had put our stuff in a closet we got out as fast as we could and walked towards the main square. Along the way we observed a man turning wood pieces by hand and he gave Eilidh a little good luck charm. Young men left and right stopped and pinched the cheeks of the girls. Morocco must be one of those countries that open themselves up for children, which make us appreciate having brought them. We popped into the Bahia Palace, which is an old, gorgeous, slowly crumbling palace in the medina. Eilidh decided that it is her favorite palace so far. And then, suddenly realizing that we hadn't eaten lunch at it was 3 oclock, we headed up to a roof-top terrace to see what we could find. It ended up being a dream. 4 courses for around $12. We got two meals and still had food left over! The first course was harira soup and a salad with a succulent lime dressing, all served with a big pile of bread. The 2nd course was a big pile of couscous topped with a stewed vegetable and chicken sauce and a chicken tagine served with the largest basmati rice I've ever seen. Then came a big plate of oranges, dates and pomegranates just at the right time, when we thought we were stuffed. To end it all were Moroccan nutty cookies and the traditional Moroccan mint sweet tea, poured with a dramatic flourish into little glass cups (the higher up the tea is poured the more respectful of a gesture it is).

After lunch we jumped in a horse-drawn carriage ride around and through the medina and at a couple points we even found ourselves in a high-speed roundabout in our little carriage (one time even next to an old man pulling a cart filled with firewood)! The driver took us through the main market districts, past a historic mosque, out of the medina walls, and back again. He stopped for a smoke break at a "traditional Berber market" which seemed to be a group of his friends, but was actually quite interesting and had a huge amount of Argan oil in different forms and for different uses. The Argan tree is one that grows in this region, and has deep roots for soil durability and water retention. The oil is made by hand by Berber women and is extremely healthful, so thus it is quite expensive.

Our walk back home brought us through some amazing, winding markets where spices were heaped up high in pyramid shapes, whole spices were bought by weight (ginger, garlic, star anise, cinnamon), bright fabrics, tassles and beads were sold alongside pointy, sparkly shoes. The smells and colors were amazing. When we got home and to our dismay we realized that the smell was not gone from our room, we decided to head out one more time for a snack before bed. We found a little tea shop where we had crepes and little tarts and after that were finally so overwhelmed and exhausted that we could brave our stinky chamber. Two chapter of Harry Potter later, we were all asleep.

Tuesday, November 9, 2010

Our favorite art works from the Prado

http://lh4.ggpht.com/patriciadamiano/SKDDcXSWWnI/AAAAAAAADaY/Gc9qH_nEA6A/botanico%20reapertura%20Sagunto%207_thumb%5B3%5D.jpg?imgmax=800
Agustin Querol "Sagunto"- 1800s. Beautiful sculpture about a mother taking her life after taking her son's to prevent capture by an invading force. No matter what the perspective, a moving piece.
http://patriciadamiano.blogspot.com/2008/


http://urbalis.files.wordpress.com/2007/10/padilla-juana-la-loca.jpg

Queen Joanna the Mad, Pradilla, late 1800s. Again, BIG (the size of a very large wall) and depicts the psychotic Spanish queen Joanna who was convinced that her husband would come back to life if his body was left out. Fabulous composition. http://urbalis.files.wordpress.com/2007/10/padilla-juana-la-loca.jpg

http://upload.wikimedia.org/wikipedia/commons/thumb/8/8e/Execution_of_the_Torrijos.jpg/800px-Execution_of_the_Torrijos.jpg

Execution of Torrijos by Antonio Gisbert, 1887 - This painting became a battle cry for liberals against repressive, autocratic regimes as it depicted the execution of an ousted liberal politician by an autocratic regime in Spain. Gisbert's amazing, HUGE, painting takes up an entire wall- maybe 12 x 15 feet!
http://upload.wikimedia.org/wikipedia/commons/thumb/8/8e/Execution_of_the_Torrijos.jpg/800px-Execution_of_the_Torrijos.jpg


http://www.museodelprado.es/uploads/pics/Figueroa_01.jpg


Joaquin Sorolla y Bastida. La Nina. Late 1800s. This painting was BIG- took up most of a wall. And I loved how the brushstrokes enhanced the theme and feeling of spontaneity with the child.
http://www.museodelprado.es/uploads/pics/Figueroa_01.jpg



http://upload.wikimedia.org/wikipedia/commons/3/38/Goya_Dog.jpg
The Dog by Goya, 1819-1823 (Prado)- Spanish painter Francisco Goya painted this (and a series of other dark images) directly onto his house's wall near the end of his life. Art historians often attribute Van Gogh and Cezanne as the first 'modern artists' who first used abstract concepts and expressionistic brush strokes on canvas. This, however, was nearly 100 years before their time!
http://upload.wikimedia.org/wikipedia/commons/3/38/Goya_Dog.jpg

Friday, November 5, 2010

Madrid part II


Everywhere we go! No photos.... grrrr...

Good way to make this guy grumpy.

Friday morning we decided to head the opposite way we went the day before, and marched off to see the Royal Palace. We were frustrated to see that, once again, no photographs were allowed... WHY are no photographs allowed in so many places in Europe??? However, the palace itself was quite nice. The girls had fun counting up clocks (they found 24) since apparently in the castle's 2,800 rooms there are over 200. I must admit we did find the castle quite tacky, with all the gold rococo ornamentation and thrones guarded by large sculptures of lions, but it did live up to our idea of a royal palace. We found the facade of the palace fascinating: amidst the sober neoclassical columns there were two grand sculptures: Montezuma and Atahualpa, rulers of Mexico and Peru at the time of Spanish conquest. Inside we saw numerous references to Columbus (and God) giving the Americas to the king and queen which was a bit nauseating, but is appropriate to how they viewed the 'new world'.



Walking to the Palace

The Royal Palace
View from Palace courtyard

Facade of Palace from interior courtyard

Montezuma from palace facade.
Atahualpa (Inca king).




Queen Isabella holding a box holding a jeweled crucifix.

Entrance to the Royal Palace
After the palace- right before the vomit incident.
After the palace we noticed that Bella was looking rather worn out and was acting very lethargic, and knowing that Sven and our friends had just had a fever a few days ago we thought we should get her home before she threw up on a precious 500 year old Spanish tapestry, but along the way she seemed a little better so we decided to tempt fate and head in to a restaurant first. Of course, she ended up throwing up on my plate. But all was well- it rather blended in and we were all done eating anyway. So Bella and I headed home for some snuggling time, while daddy and Eilidh went to the Museum of the Americas to see some of the objects that the Spanish had brought back from Alaska a couple hundred years ago. They got to see a one-eared mask and a large shaman's doll from the Alutiiq region as well as Tlingit objects . It was very well laid out and lit and almost completely barren (they were two of 5 in the museum) although the objects that Sven was looking for were spread out amongst quite a few rooms.

When they got home we had some good solid relaxation time and went to bed early, which felt great. We spent a few hours after the kids went to sleep working out travel details for after Morocco... so many moving parts and pieces!




Saturday- We woke up to a un-feverish and hungry Bella, which made us all happy! Sven had slipped out to go back to the Prado Art museum and see the Dutch and Flemish rooms, which we'd missed on Thursday... he was stunned and disturbed by Bosch's Garden of Earthly Delights Altarpiece which, painted in the 1500s, was 400 years ahead of its time. He was also floored by Goya yet again (and his dark end-of-life period). By ten or so we had all somehow managed to get out of the apartment and walked down to the Reina Sofia art museum, home to Picasso's famous Guernica painting. We were pretty blown away by the museum. For a museum that I'd never heard about for it to have so many Goya, Picasso, Surrealist, and Miro masterworks in it was fantastic.... also, a plus for the kids was to have 20s black and white silent movies playing in strategic exhaustion spots within the building. The kids LOVED the Spanish artist Joan Miro. At a certain point we all ran out of steam and went to have lunch, going back to see the last of the surrealist and Dali works that we'd missed. After the Reina Sofia museum we took a leisurely walk to the public gardens where we lounged on the grass for a while and Sven encouraged me (Great idea- and the kids were happy about not having to go again too!) to go back to the Prado to see the Dutch and Flemish work that we'd missed the other day, which was mindblowing.


sculpture outside of the museum
Picasso's 'Head of a Woman'

Picasso

A Miro example of a piece of art done to support the people in the fight to get back Spain from the Franco dictatorship.

PicassoMiro

Eilidh and Bella both loved this Miro.

Eilidh's favorite Picasso.

Bella sketching the Vitruvian man at the Pinnocchio restaurant outside of the museum.

Sculpture on top of the Administry of Agriculture building. Really!
After the museum- in the park.
http://civilesp.files.wordpress.com/2009/05/guernica-784569.jpgA word about Picasso's Guernica Painting: Picasso had been approached by the Spanish government to work on a painting for the Spanish pavilion at the 1937 World's Fair in Paris. He struggled and struggled trying to come up with an appropriate topic and almost gave up, when the Spanish civil war occurred. During this war, Spain's government was in shambles and the Spanish Nationalist forces (Franco) basically 'gave' a Basque town up to the German and Italian warplanes to bomb. This was a town where a fair number of revolutionaries came from but at the time of the bombing was filled with mostly women and children. No one knows how many died, but estimates are anywhere from 2-3,000 people (plus animals). Guernica shows the tragedies of war and the suffering it inflicts upon individuals, particularly innocent civilians. This work toured around to various museums around the world in the years following the Guernica incident, at each stop raising money for the cause of Spanish peace. Picasso's instructions were clear: Guernica should not come to Spain until they had a democratic, peaceful government. It wasn't until 40 years later (after General Franco died) that the painting was given to the Reina Sofia museum along with many of the studies for this piece.

After an early dinner (6 oclock is early in this country) and a few minutes gaping at a hotel entrance cordoned off by police and filled with teenagers (waiting for Bon Jovi to come out) we headed home to call the Simplers. A good, full day... we couldn't believe that we'd just spent a full day at a museum with two young kids and had survived, and actually enjoyed ourselves.
lovely sewer grate

Guarding the Prado

Statue of Velazquez outside the Prado.

Another look outside our window
Journal time.